Ghanaian rapper Yaw Tog, known for his contributions to the popular Ghanaian Drill music genre called Asaka, has recently revealed that he currently has no plans to pursue a university education. In an interview with Hello FM in Kumasi, the 20-year-old artist, born Thorsten Owusu Gyimah, expressed his unconventional perspective on the matter.
Tog explained that he believes pursuing a university education alone would not provide him with the means to sustain himself in life. As a musician actively working on his craft, he sees music as his primary focus and source of income. “I am doing music, I am working at the moment. University won’t provide me with the means to sustain myself in life,” he shared during the interview.
The talented rapper, who gained international recognition for his hit track ‘Sore,’ which features artists Stormzy and Kwesi Arthur on the remix, further elaborated on his reasoning. He emphasized the burden of tuition fees and the responsibility it would place on his family. Tog raised a valid question, asking, “If I enroll now, who will bear the burden of my tuition fees?”
Yaw Tog boldly disclosed that he has strategically planned his life in a way that prioritizes building a solid financial foundation before considering higher education. He stated, “I have really planned my life in a way that I know when I’ll go back to school, so I’m saving for my university.”
Although Tog acknowledged the support he receives from his parents, he expressed that his current status does not allow him to rely on them for certain needs. While grateful for their assistance, he understands the importance of financial independence and taking responsibility for his own path.
Yaw Tog attended Opoku Ware School, where he studied in the General Arts program. During the 2021 West African Senior School Certificate Examination (WASSCE), he achieved impressive grades, including B3s in English Language and Social Studies. His lowest grade was a C5 in Economics, one of his elective subjects. Despite his academic success, pursuing higher education does not seem to be in his plans at the moment.
Yaw Tog’s decision reflects a growing trend among young artists who are prioritizing their passion and creative pursuits over a traditional university education. With the rise of digital platforms and increased opportunities in the music industry, some artists believe that practical experience and building a successful career in their chosen field can be more valuable than a degree.
It remains to be seen how Yaw Tog’s career will unfold in the coming years. For now, he is focused on his music and ensuring a stable financial future before considering further education. As the Ghanaian Drill music scene continues to thrive, Yaw Tog’s unique perspective challenges the traditional notion of success and highlights the evolving landscape of career choices for young talents in Ghana and beyond.
