Revered gospel artist Ohemaa Mercy has voiced her frustration over the non-payment of royalties by the Ghana Music Rights Organization (GHAMRO). The organization, established in 1993 with the noble intention of collecting and fairly distributing royalties to Ghanaian musicians, has faced increasing criticism for alleged inefficiency and corruption.
Ohemaa Mercy, known for her soul-stirring music and unwavering commitment to her craft, has a long-standing career that has brought her both critical acclaim and commercial success. Her debut album, “Adamfo Papa,” released in late November 2004, was a sensation that earned her seven nominations at the prestigious 2006 Ghana Music Awards. However, despite her significant contributions to the Ghanaian music scene, she did not secure any wins at the awards.
The gospel diva has since continued to release hit albums and songs that have resonated with audiences across the nation and beyond. Her music has not only uplifted spirits but has also become an integral part of the country’s musical landscape. In an exclusive interview with ghanaweekend.com, Ohemaa Mercy shared her shocking experience of receiving a meager GH¢300 in royalties from GHAMRO since 2007. This paltry sum, she revealed, was the only payment she had ever received from the royalties-sharing agency.
“I received GH¢300 in 2007, and since then, I have never received any money from the royalties-sharing agency,” she lamented, expressing her disappointment and frustration over the lack of compensation for her musical contributions. This revelation highlights a concerning issue that extends beyond Ohemaa Mercy’s experience alone.
Ohemaa Mercy is not alone in her grievances against GHAMRO. Other prominent Ghanaian musicians, including Stonebwoy, Shatta Wale, Ebo Taylor, and Efya, have also raised their voices against the organization’s alleged failure to adequately distribute royalties. These artists, who have undeniably played a significant role in shaping the nation’s music industry, deserve fair and transparent compensation for their creative endeavors.
event on its calendar—the Tehilla Experience. Organized by Ohemaa Mercy herself, this annual praise and worship program has been a steadfast source of inspiration for a decade. The 2023 edition, aptly named Tehilla X, is scheduled to take place on August 13 at the Oil Dome of the RoyalHouse Chapel International, beginning at 4 pm.
Under the theme ‘Fire and Fragrance,’ Tehilla X promises an evening of uplifting music and spiritual connection. Joining Ohemaa Mercy on stage will be a constellation of other gospel luminaries, including Cece Twum, Uncle Ato, Pastor Joe Beechem, Diana Hamilton, and Efe Grace, all set to minister to the eager audience.
As the nation eagerly anticipates Tehilla X, it is crucial for the spotlight to remain on the issue of unpaid royalties faced by artists like Ohemaa Mercy. The contributions of Ghanaian musicians to the cultural fabric of the country should be acknowledged and duly compensated. It is a clarion call for GHAMRO to rectify its alleged inefficiencies and corruption, ensuring that artists receive the royalties they rightfully deserve. Only then can the music industry continue to flourish, and artists can focus on what they do best—creating soul-stirring melodies that resonate with hearts far and wide.
