In a recent interview, Amerado Burner, a distinguished Ghanaian rapper, has voiced his thoughts on the ongoing discussions surrounding the ability of Ghanaian artists to organize and successfully fill large venues for international shows. Amerado’s comments were prompted by the recent resounding success of Nigerian music sensation Asake at the O2 Arena in the United States. While he acknowledges the achievement of Asake, Amerado firmly believes that Ghanaian artists possess the potential to achieve similar feats with the right support and industry structures.
Amerado is resolute in his conviction that Ghanaian artists have the talent and capability to fill up international venues just like their counterparts from other nations. However, he underscores that this potential often feels out of reach due to the lack of internal support and necessary backing that are crucial in propelling talented artists to prominence. He points out that the Ghanaian music industry lacks the essential structures that empower artists to excel and attain global recognition.
One of the key issues Amerado identifies is the prevalence of destructive comparisons within the Ghanaian music scene. He observes that rather than rallying behind their own artists, Ghanaians tend to engage in harmful comparisons that undermine the hard work and achievements of local talents. The recent success of Asake at the O2 Arena has led to unwarranted comparisons that overshadow the potential of Ghanaian artists. Amerado stresses that such comparisons are counterproductive and detrimental to the growth of the industry.
Amerado draws attention to the fact that notable accomplishments within the Ghanaian music industry often go unnoticed and uncelebrated. For instance, he highlights the achievement of King Promise’s number one song on Boomplay, which has not received the attention and hype it rightfully deserves. These accomplishments, according to Amerado, can serve as significant milestones that empower artists to strive for greater achievements on the global stage.
The rapper strongly emphasizes the need for substantial reforms within the Ghanaian music industry. He acknowledges that artists like Stonebwoy and Sarkodie have the potential to fill up renowned venues like the O2 Arena, but these achievements require the right industry structures and robust support. Amerado calls upon investors to fund the artistry and create an ecosystem that fosters the growth and success of local talents.
Amerado’s appeal is clear: he urges the Ghanaian audience to shift their focus from destructive comparisons to unwavering support for their own artists. He argues that such comparisons hinder growth and development within the industry. Instead, he advocates for the creation of a supportive ecosystem that nurtures local talents, enabling them to achieve remarkable success both domestically and on the global stage.
